Francesca Hornak Muses on her Journey to Seven Days of Us

Hardcover, 368 pages
Published October 17th 2017 by Berkley Books

Hey Navi Review Friends & Followers! Seven Days of Us hits the bookstores TODAY, and Francesca Hornak has stopped by to tell us more about her journey to writing and completing her debut novel, Seven Days of Us! This witty author has crossed over from article writing to offering us her first full-length novel, and this exclusive interview celebrates her journey from intern to fashion writer, contributor for The Sunday Times to debut fiction author! From parenting to wardrobe mishaps abroad, Francesca Hornak bares it all with us!

 

Question # 1

The number and caliber of publications you’ve written for is impressive! Could you tell us a little about your journey to becoming a columnist and sought-after magazine writer? How have your personal experiences affected your desire to pursue that field, if they did?

Thank you! I’ve just always adored magazines, and still find them completely compulsive. My parents didn’t really buy them, so they held this exotic allure for me. I vividly remember, aged seven, reading a copy of Vogue that a guest had left in our house and becoming obsessed with supermodels, especially Cindy Crawford. In all the photos from that summer I’m pouting and flicking my hair around. I know this is exactly why people disapprove of the media – I’m afraid I was a textbook case!

As for how I got into writing for magazines, I wrote to all my favourite titles asking for work experience and got a few internships during my university holidays. That led to a junior job at In Style when I graduated in 2005 (it was all a bit easier then, when there was still money in print journalism!). I loved the glamour and urgency of the offices – after three years of academia that was a massive relief.

Question #2

You’ve written a slew of articles for The Sunday Times and other publications. One of my favorites was your 2016 article “The Pointlessness of Parenting Guides” that appeared in Red, where you made some very convincing arguments about “ditching” the trend of parenting guides! What was the final straw in parenting that made you so compelled to write that article?

I think the final straw was a chart in a chapter on weaning, in a book called Coping With Two (yes, I was still reading these books after my second baby…) It had one column for messy foods, and one for less messy alternatives – supposedly to help you keep your house under control. It literally went ‘grated cheese’ vs ‘sliced cheese’, ‘full cup of milk’ vs ‘half full cup of water’ etc. I know the brain numbs a bit after a baby, but still!

Question #3

Your debut fiction novel, Seven Days of Us, hits the shelves in the U.S. in mid-October! What was the most difficult aspect of switching over from article writing to being a novelist? What about that process did you find more satisfying than column writing?

The hardest thing is not being able to hold every paragraph in my head, like I can with a 500 word article. The most satisfying thing for me is pacing the story – deciding to keep the reader in suspense, shocking them with a twist, giving them something funny after a sad episode and so on. With journalism, it’s just about conveying information or opinions as smoothly and entertainingly as possible.

Question #4

Where were you when the idea for Seven Days of Us came to you, and what compelled you to really sit down and bang it out at your computer?

I was staying with my parents-in-law’s house, in the week before Christmas. My best friend, who was treating Ebola in Sierra Leone, emailed me to say she was going to have to spend 30 days in quarantine at home when she got home in January. I wrote back to say it sounded like a budget modern play where the actors just sit in one room, and then I suddenly thought that a quarantine could be a neat fictional device to intensify the standard family Christmas set up.

The thing that compelled me to get it down on paper was a positive pregnancy test. I’d already had one baby, so I knew from experience that when I had another there would be no time to write. That 9 month deadline was the best incentive I’ve ever had to stop procrastinating. Unless I want a huge family I’m going to have to find something else in future, though.

Question #5

Who was the most difficult character for you to write in Seven Days of Us? Who was the most fun to write, and why?

The hardest was probably Olivia, because I don’t have much in common with her character – she’s quite reserved, and very earnest. The most fun was Andrew, because everything irritates him, so his parts were a chance to rant.

Question #6

From my time living in England, I know that there are so many stereotypes of American mores and behavior, one of which you very hilariously pointed out in Seven Days of Us:

“Guns? Guess he is American,” she said, as if it was an embarrassing medical condition.”

What has been your most memorable experience with someone from a different cultural background or nationality from yours, and how do experiences like that help you as a writer (and on a personal level)?

When I was 18 I did a teaching programme at a primary school rural Belize, and stayed with a host family. At first I followed the advice we’d been given about dressing very modestly, but after a couple of months when it became really hot I slacked off a bit and started wearing shorts and t-shirts when I wasn’t teaching. I’d noticed that other girls in the village wore the same, and I didn’t consider that as a teacher it wasn’t appropriate – or that, as a foreigner, different standards might apply to me. One day, an older woman in the village told my host mother that I dressed like a prostitute, and that I wasn’t fit to be a teacher. I came home to find my host mother at the kitchen table in tears, saying she was ashamed to have me in the house. It was absolutely mortifying, and I really realized how naïve I’d been. I wish I could say it had helped me personally, but I’m not sure it did as it was such a confidence knock! But it did teach me (the hard way) that you shouldn’t second guess at the rules when you’re away from home, and that just because people are smiling and waving doesn’t mean they actually like you! On the plus side, those kind of excruciating life experiences are helpful when you’re writing. You don’t need to be writing about the same incident – I think I had some of that pain and alienation in mind when I wrote about Jesse shaming himself as the guest, and foreigner, in Seven Days Of Us.

Question #7

In Seven Days of Us, the father, Andrew, is a writer as well. He has several witty interactions with his editors throughout the novel that give readers a glimpse of the tug of war writers can sometimes have with their editorial teams! What is the most memorable “tug of war” you’ve ever had with one of your editors, and why was that issue so important to you?

So many! I used to be really precious, unnecessarily precious, about tiny changes. I must have been so annoying to work with (I got ridiculously stressed once because a sub-editor insisted on changing ‘his bicep’ to ‘his biceps’, which is technically correct but sounds stupid because nobody ever says ‘biceps’. I do stand by this, but my rage was disproportionate).

It wasn’t actually a style issue, but my favourite altercation with a sub editor was when I was a 25 year old fashion writer for a newspaper, and had a tiny section, literally one newsprint column wide, called ShopSpy. One day I wrote: “This week I’m loving this gigantic cocktail ring by new designer xxxx….’. But the sub-editor hyphenated ‘cocktail’, so that it in the newspaper it read like this:

SHOP SPY

This week I’m

loving this

gigantic cock-

tail ring

Haha.  It was a very awkward middle aged male sub – he went bright red when I came up to point it out to him. 

Question #8

With all of the great hype and reviews of Seven Days of Us, your readers are surely looking forward to your next works, too! Can you tell us what upcoming projects or articles you’re interested in working on?

Thanks! I’m writing a novel set around a communal garden in London. If Seven Days Of Us was about family, this is about community. 

Question #9

What is the strangest compliment you’ve ever received regarding your writing?

It’s not a strange compliment in itself, but I’m always surprised to hear people call it ‘warm’ or ‘heartfelt’ or ‘moving’ because to me my take on the world is quite critical. But I do cry easily, so maybe I’m soppier than I realise.

Question #10

Tell us one awkward/embarrassing/unique fact about yourself!

I love anything miniature. I had an amazing dollshouse when I was a child, but an adult playing with a dollshouse is creepy so I have to make do with sample toiletries and those teeny jams you get with hotel breakfasts.

 

Where the Tables Turn: Feel free to ask me any question you’d like for me to answer for my readers, and/or pose a question to your readers or the general public!

Question for you and your readers:

What one thing makes you fall for a book?

 

Goodreads     Twitter

Advertisements

Sarah Schmidt Pulls the Curtain Back on her Debut Novel, See What I Have Done

Hardcover, 328 pages
Published August 1st 2017 by Atlantic Monthly Press (first published March 28th 2017)
Hey Navi Review Followers! See What I Have Done hit the shelves a couple months back to rave reviews and more than a little press! Everywhere I looked, I saw this book–and its very talented, very candid author, Sarah Schmidt. After reading and reviewing the novel, I just HAD to know more about her and this book! Her zany tweets never fail to amuse and neither does she herself. In this exclusive Navi Review interview with her, we get up close and personal with the author of this celebrated novel about that infamous day in 1892–the Australian phenom herself, Sarah Schmidt.
Question # 1
It is so cool that you work around books all day at a public library—what a great place for a reader/writer! Could you tell us a little about your journey to becoming a published author? How did your work in libraries affect that journey, if it did?

 

I began working in public libraries around 4 years ago, so I was well and truly deep into writing See What I Have Done by that stage. But the catalyst to work in this area was the impending birth of my daughter. I remember sitting at my desk writing the novel and all of a sudden I had this overwhelming feeling of impending doom that to this day I still can’t completely describe. That’s when I started thinking about what was important to me and working in a community service organisation was up there. That feeling of urgency also helped push me to get the manuscript to a place I was happy with and do something with it. It took a few more years but it was the push I needed.

Question #2

See What I Have Done is told from multiple POVs in a 19th century setting. Was it difficult to write from so many perspectives and in such a setting? What was the most difficult and the most fun part about that?

In the beginning all I had was Lizzie and I knew immediately that she was never going to give me a complete story. She was always going to hide things, even from herself. I also couldn’t bear to be in her head for long periods of time. That’s when I started dragging other characters in and hoped that somehow these separate narrators would give as a ‘whole’ story in some form. I knew that if I could find empathy for each of them, even Benjamin, then I could find a way to write that point of view. Once I gave in to their wants and needs I really started having fun. Benjamin and Lizzie are the worst people and they would do and say things that I’d never dream of doing. Pushing your characters to do more and more is very satisfying!

Which brings me to the problematic nature of finding balance between your natural writing style and voice versus the voice of the character. I found this the most difficult aspect and although not perfect, I think I was able to find a balance. I know readers have said that they found Lizzie and Emma to be very similar. And I agree. That was a deliberate choice: I wanted them to be so similar because of their parasitic relationship and close proximity.

In the beginning I ‘forgot’ that this book was set in the 19th century and wrote it as if it was happening now. Obviously you bring in the social context of the time to fill the world you’re creating and to give your characters plausibility but I found the more I tried to remind myself this was 1892 the harder it became to write. I added details like clothing, transport etc at the very end of the process.

Question #3

Who was your favorite character to write in See What I Have Done? Who was the most difficult?

At different stages I had a favourite and for years I was addicted to Lizzie. She preoccupied my thoughts at all times and even now I consider writing new scenes for her because I’ve become so used to her being a shadow.

But my favourite character to write was probably Bridget, not least because she knows that family is utterly dysfunctional and had total motivation to leave that house.

Question #4

As a working woman and writer, how do you manage to keep your life balanced? Do you have any tips for other writers on how to manage it all in today’s busy world?

I’ll be honest: I’m not sure I have found a balance. Before I had my daughter it was a bit easier to work and write. I had structure. But things will always change and you need to adapt for where you are at that stage of your life, especially if you decide you’d like to have children.

The only thing I know for sure is that if you really want something you’ll figure out a way to get it done. For a long time after I had the kid, the only way I was able to write See What I Have Done was to get up at 5 am and write for an hour before work.  Often that was all the time I had so I used it wisely. It’s slow going but that’s ok. The other thing I’ve learnt is that you need to take care of yourself. If writing is that thing that makes you happy, makes you feel your complete self, do that and never feel guilty. Because men don’t.

Question #5

Do you think the mystery will ever truly be solved on whodunit?

I don’t think it will and I’m okay with that! I think the mystery is what fascinates and if we were to find out, I think a lot of people would be disappointed. I still maintain that the logical explanation to this case is the simplest: someone in that house is responsible.

Question #6

With all of the great hype and reviews of See What I Have Done, your readers are surely looking forward to your next works, too! Your online blog offers this info on your next project: 

“1. that it’s a dual narrative family portrait spanning 30-40 ish years.

  1. It is about a woman who takes a car trip with her child. Nothing is what it seems.

The working title is Blue Mountain. (You got 3. I’m generous like that!)”

Has blogging through this process been helpful to writing your next novel? If so, how?

It’s been helpful to blog in some ways because it’s forced me to think more logically about how I’ll approach this second novel. The first time around I went purely on gut instinct. That was fine except it took eleven years! This time around I’m still using my gut but encouraging it to be more focussed in some ways.

The other thing that’s been helpful blogging about the creative process is that it reminds me that the beginning of things can be hard and messy. You become very used to working on something that is draft ten, draft twelve. When you start something it’s horrifically beautiful. Your immediate thought is ‘This is shit. I can’t write. This won’t be anything good,’ but at some stage draft one begins to become draft two, draft three, and edges closer to being the manuscript you want it to be.

Question #7

What is the most interesting/funny/strange experience you’ve ever had working in the public library?

Where to begin! Public libraries are weird places. Most of my experiences have been relatively neutral but my work colleagues have told me some incredible stories…like the time they had to step over a sleeping man to get into the building. Only it turned out he was dead.

Question #8

What is the strangest compliment you’ve ever received regarding your writing?

Someone once told me a story about how they died five times. They said something like ‘I’m telling you this because you seem like the type of person who just gets it.’

Question #9

What is your favorite quote from SWIHD, the one that really made you feel one with the story?

Oooh, that’s a tough one. I don’t think there’s one singular moment (although the repetition of ‘the clock on the mantle ticked ticked’ really anchored a particular mood for the novel very early on in the writing process) however when I wrote Benjamin’s line, ‘I used to be butter – the way I’d disappear at the sign of heat’ I knew instantly who he was and what he was going to become. I also knew thematically what I could do with that line for other parts of the novel. Up until that moment I didn’t really connect with him. I have no idea where it came from but I’m glad it arrived when it did.

Question #10

Tell us one awkward/embarrassing/unique fact about yourself!

I feel my whole life could be summed up as one embarrassing, awkward moment after another!

There is however one moment that haunts me to this day and I can’t believe I’m about to make this public. The setting: high school, geography class. I got my period while standing at the front of the class giving a presentation. I had no idea it was happening and no one told me…until much later. I was mortified but the only thing I could do was just push on through the day and act as if it didn’t happen. I think that’s how I survived much of my teenage years.

 

You can follow Sarah’s blog here: https://sarahschmidt.org/

Goodreads    Twitter