“No one asked if I wanted to save Sebastian, but you all blame me for failing…”
I was truly excited to read and review this novel, Quicksand, by Swedish author Malin Persson Giolito. I first heard about it when it was just a deal to be translated—just another deal that happens every week in the publishing world. Yet, already I was intrigued by the premise and kept an eye out for it. So, you can imagine that when it happened across my path as an advance-read copy, wrapped in an unobtrusive (and probably at the time, incomplete) front cover, I leapt at it.
Maja Norberg is an eighteen-year-old last-year student at an expensive prep school in the center of a wealthy Swedish suburb. When she meets Sebastian, the son of billionaire Claes Fagerman, she’s immediately swept up in the ultra-cool image he’s always exuded, the weeks spent on his father’s luxurious boats and in all of the perks and toys, drugs and sex, emotional angst and obsession that their relationship evolves into. During this last year in school, the unthinkable happens, and Maja is left holding the smoking gun, literally, tearing her away from her comfy existence in the ‘burbs and placing her right in the middle of the media sensation court case of the century.
This novel started slowly, and in a tone that irritated me at first. Rather, Maja irritated me at first. But I pressed on, and I was very soon rewarded for it. For, all of the pieces of this narrative (this novel is told in interchanging sections) that seemed scattered at first, all moved together to complete the picture as a whole at a brilliant pace, pulling me in with it. This was a superb modern-day characterization of rich teens. Not a single character came off as a caricature or stereotype; they all filled the page, as if they were real people—flaws and all. Imagine Steig Larsson meets The Most Dangerous Place on Earth, and you’ve got a great idea of the sharp insight and cunningly skilled writing that you’re in for here, for this novel was everything that Dangerous Place was trying to be.
One of my favorite goodie takeaways from this novel was those thoughtful yet significant nuggets of truth and awareness here, which I so welcomed and respected. I love a sharp narrator, one who can pick apart the people around them. And that’s who Giolito gave her reader in Maja Norberg. Because, what you’ll be pleasantly surprised to find within these pages is that Quicksand features class tensions, the privilege of wealth and what happens when those taut lines cross one time too many.
“…you are wrong if you think a good story isn’t necessary. All you have to do is watch Idol or X Factor…to understand that the backstory is half the point. You all want to be surprised when the fatty sings like a star, you want to feel gratified when he made it ‘despite the odds,’ and you want to believe that it’s just bad luck that my parents don’t also live in Djursholm and work as doctors and lawyers, that it’s an injustice you are definitely not complicit in, but you can say it’s wrong and feel bad that we don’t take better care of our immigrants, if they would only be a little more Swedish, learn their new language faster, study a little harder, then the American dream would be just within reach. You love the American dream…”
In Quicksand, Malin Persson Giolito not only weaves an incredibly incisive and pulsating story, but she also manages to tackle serious social and economic issues with stunning clarity that made me sit up and re-read her passages. And, her socioeconomic commentary was presented in all of the best ways, so integrated into the actual story line that the latter would have seemed incomplete without the former, so dramatically illustrated by the sharp angles and trajectories at which these teenage lives crossed that it becomes a major undertone of the novel—a foundation of the plot rather than an accessory. Lines like, “Our problem isn’t immigrants, it’s this one percent with too much money,” cut deeply within the narrative and provoke thought all the more, because their brilliant placement within the narrative makes the reader feel that they’ve stumbled across a rare, half-hidden jewel, so that they long to find and pick up another.
I became so fully engrossed in Maja’s story, that I, too, gasped at turns of events in the courtroom and I, too, along with the judge and jury, weighed the evidence against her, trying to decide if I felt that she was guilty or not. Giolito was very skilled with the way that she handled this novel, because all parts of it—the courtroom, the jail/solitary confinement, and the backstory leading up to it—were all truly gripping, once the novel fully took off. Even the small annoyances at the beginning came together and re-presented themselves in a new light in the end, which I could only stand back and appreciate.
Giolito made me question my own instincts as to whether Maja was guilty or innocent, and I loved every minute of it. I was compelled to turn each and every page, to live these characters’ lives out with them until the very end, and for that I award the rarely given and always coveted 5 stars. *****
*I received an advance-read copy of this novel from the publisher, Other Press, via Netgalley in exchange for an honest review.
*To see more reviews, follow the blog on Twitter @thenavireview and on Goodreads @ Navidad Thelamour!